In step with the Irish Revivalist writers with whom he became associated, Clarke was viewed as something of an iconoclast.Though it proved a little too exotic for the conservative tastes of the Irish State and the Catholic Church, the director of Ireland's National Gallery, Thomas Bodkin, said of the Geneva Window that it was quite simply "the loveliest thing ever made by an Irishman". His illustrations perfectly complemented works by the likes of Hans Andersen, Edgar Allan Poe and Goethe, while his career, cut tragically short by illness, was capped with his greatest masterpiece of all, the Geneva Window, an eight panelled stained glass celebration of Ireland's greatest modern writers. His audacious designs placed saints and angels next to sexual and macabre imagery giving his work a uniquely strange and otherworldly feel. Clarke produced a series of remarkable stained-glass windows and book illustrations that breathed new life into both mediums. ![]() Synge and Sean O'Casey in shaping the international reputation of Ireland as a modern sovereign state. Emerging during the later phases of the literary and dramatic movement known as the Irish (or Celtic) Revival, he joined the ranks of literary greats W. Clarke is one of Ireland's greatest, and most controversial, modern artists.
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